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Posts Tagged Osamu Tezuka

Review: Black Jack (Vol. 02)

Reviewer: Lissa Pattillo


Manga-ka: Osamu Tezuka
Publisher: Vertical
Rating: Older Teen (16+)
Release Date: November 2008

Synopsis: “Black Jack is a mysterious and charismatic young genius surgeon who travels the world performing amazing and impossible medical feats. Though a trained physician, he refuses to accept a medical license due to his hatred and mistrust of the medical community’s hypocrisy and corruption. This leads Black Jack to occasional run-ins with the authorities, as well as from gangsters and criminals who approach him for illegal operations.”

Volume two of Black Jack served as a real character-flesher for the enigmatic doctor. The opening chapter sees him faced with the reality of the human body, that there will always be some things he can’t ever control or predict. Seeing how stressed he became, even at the positive outcome of an otherwise bizarre case, spoke volumes about his faith in his own abilities and what he believes to be set in stone. It proved a strong opener to a book full of equally revealing stories of continuing medical mysteries and materialistic morality.

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Review: Buddha (Vol. 01)

Reviewer: Lissa Pattillo


Manga-ka: Osamu Tezuka
Publisher: Vertical
Rating: Older Teen (16+)
Release Date: May 2006

Synopsis: “In Buddha, originally serialized in the 1970s and one of his last works, Osamu Tezuka lavishly retells the life of Siddhartha, who isn’t even born until page 268. Instead, Tezuka introduces Chapra, a slave who attempts to escape his fate by posing as the son of a general; Tatta, a crazed wild child pariah who communes with animals; Chapra’s slave mother, who stands by him no matter what; and Naradatta, a monk attempting to discover the meaning of strange portents of the Buddha’s birth. Throughout the book, the characters engage in fresh and unexpected adventures, escapes and reverses, as they play out Tezuka’s philosophical concern with overcoming fate and the uselessness of violence.”

Though I failed to grasp the depths of which Buddha is apparently intended to symbolize, it’s still a strong prolouge to the life of a young man destined for great things in a world that suffers so strongly from its own failings.

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Review: Oishinbo – Fish, Sushi & Sashimi

Reviewer: Lissa Pattillo


Author: Tetsu Kariya
Manga-ka: Akira Hanasaki
Publisher: Viz Media
Rating: Teen (13+)
Release Date: July 2009

Synopsis: “Yamaoka and his father, Kaibara Y zan, have never enjoyed an ideal father-son relationship. In fact, it’s about as far from ideal as possible, and when they start arguing about food–which they inevitably do–the sparks really fly. In this volume of Oishinbo the subject of dispute is fish, starting with the question of whether mackerel can ever be truly good sashimi. Later, things come to a head during the “Salmon Battle,” which pits father against son in an epic contest to develop the best dish before a panel of judges. Will Yamaoka finally defeat Kaibara? Or will he once again be left in his father’s shadow?”

Fish, Sushi & Sashimi: Some panels of this volume of Oishinbo had me hungry, while others, with the unskinned fish and their beady little eyes being nonchalantly consumed in whole, left me a little less than eager to indulge. I can imagine that sushi lovers would undoubtedly find the different meals more appealing overall, yet I still enjoyed learning about a variety of different sushis including several of which I will definitely be keeping a look out for.

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Review: Black Jack (Vol. 01)

Reviewer: Lissa Pattillo


Manga-ka: Osamu Tezuka
Publisher: Vertical
Rating: Mature (18+)
Release Date: December 2008

Synopsis: “Black Jack is a mysterious and charismatic young genius surgeon who travels the world performing amazing and impossible medical feats and refuses to accept a medical license due to his hatred and mistrust of the medical community’s hypocrisy and corruption. This leads Black Jack to occasional run-ins with the authorities, as well as from gangsters and criminals who approach him for illegal operations. Black Jack chronicles the travails of an enigmatic surgeon-for-hire who is more good than he pretends to be.”

It was all in truth when I was told you don’t need to read Black Jack in order to enjoy the story. Each chapter sits alone as its own episodic medical tale. Volume one does have a lot of explanatory material to it however, such as the ‘birth’ of Black Jack’s assistant Pinoko, and more about the doctor’s disfiguring past. Truth be told though, I was actually a little disappointed in a way by the new information since I found the added mystery of not knowing, which again causes no boon to the story, was much of its allure when I initially took volume five as my starting point.

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Review: Apollo’s Song

Reviewer: Lissa Pattillo


Manga-ka: Osamu Tezuka
Publisher: Vertical
Rating: Mature (18+)
Release Date: June 2007

Synopsis: “Apollo’s Song follows the tragic journey of Shogo, a young man whose abusive childhood has instilled in him a loathing for love so profound he finds himself compelled to acts of violence when he is witness to any act of intimacy or affection whether by human or beast. His hate is such that the gods intervene, cursing Shogo to experience love throughout the ages ultimately to have it ripped from his heart every time. From the Nazi atrocities of World War II to a dystopian future of human cloning, Shogo loses his heart, in so doing, healing the psychic scars of his childhood hatred.”

I had mixed feelings about this book. At the very least I can say it’s the weakest of Osamu Tezuka’s works that I’ve had the chance to read released in English, but then again Osamu was a creator of so much obvious literary abilities, that isn’t saying too much, and from someone who has only recently began really delving into his legacy, it perhaps says even less.

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Mini Review: Pluto (Vol. 03)


Pluto (Vol. 03) – Naoki Urusawa & Osamu Tezuka
Published by Viz

A good portion of this volume follows Atom’s sister, Uran. She’s another one of the planet’s most advanced robots (though not one of the targeted seven) and has sensors so delicate that she possesses a strong sense of empathy for others, even able to sense a person or animal’s feelings from far away. I really love Uran as a character, with her combination of robotic logistics and childlike reaction. There was a well-blended mix of confidence versus curiousity that allowed her to feel very endearing as she helps the robot she meets lost in a park, and even in the bored manner she deals with investigators at the books beginning.

The robot Uran helps, on the other hand, proves a little less involved on the personality-scale but has some robotically unique powers that both invoked some thought and gave Naoki Urusawa the chance to add in a beautifully timed piece of coloured artwork mid-story. Viz has my thanks for maintaining the full-colours because much of the story’s impact at the moment would’ve been lost without it.

With much attention on Uran, and her subsequent involvement with a strange homeless robot she befriends, the tone of some parts of the third volume of Pluto have a less sinister, though still poignantly relevant, feel than many previous scenes. In this third volume, the action sequences and suspenseful dramatics, which lent such occasional high-octave reading in previous books, are less prevalent but no less foreshadowed either. Pluto continues to deliver all the intrigue and surprises that made the two first two books so compelling, from uprisings of anti-Robot cults (which evokes even more sympathy to the plights robots face) to the appearance of another of the mystery killer’s targets. The ‘mystery killer’ is also more fleshed out, so to speak, though there remains much to be explained.

In love for this series, I’ve also recently started re-watching old episodes of Astro Boy, and may I note, being amazed at the sheer nostalgic value and realizing that the Uran I like here in Pluto is the same ‘little girl’ I always idolized as a child. Some things never change! And impressively the same can be said for Naoki Urusawa’s Pluto, which is more and more evidently a brilliantly fleshed out version of Osamu Tezuka’s original story arc. I can’t wait to see how he takes the story from here on and continue to highly recommend it.

Review written May 30, 2009 by Lissa Pattillo
Book purchased in-store from Chapters


Review: MW


Manga-ka: Osamu Tezuka
Publisher: Vertical
Rating: Older Teen (16+)
Release Date: December 2008

Synopsis: “A secret U.S. chemical weapon called “MW” accidentally leaks and wipes out the population of a southern Japanese island. Though Michio Yuki survives, he emerges from the ordeal without a trace of conscience. MW is manga-god Osamu Tezuka’s controversial testament to the Machiavellian character and features his most direct engagement of themes such as transvestism and homoeroticism. MW is a chilling picaresque of evil. Steering clear of the supernatural as well as the cuddly designs and slapstick humor that enliven many of Tezuka’s better-known works, MW explores a stark modern reality where neither drive nor secular justice seems to prevail.”

A pretty far cry from the previews of Astro Boy I’ve read and my recently enjoyed copy of Black Jack, Osamu Tezuka’s MW is a much darker story that follows a conniving man of exceptional beauty and intellect as he seeks to own what could the most dangerous toxic chemical on Earth. With a goal to kill all humankind, and a thrill from the suffering caused for all stepping stones on his path, Michio Yuki is a man on a hideously twisted mission and loving nearly every moment of it.

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